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Rumiko Takahashi : ウィキペディア英語版
Rumiko Takahashi


is a Japanese manga artist.
Takahashi is one of Japan's most affluent manga artists.〔(【引用サイトリンク】 title=Japanese Top Tax Payers )〕 Her works are popular worldwide, where they have been translated into a variety of languages. Takahashi is also the best selling female comics artist in history; as of February 2010, over 170 million copies of her various works had been sold.〔"New Episodes of Ranma ½ and Inuyasha!". August 2, 2008. ''Otaku International''. http://otakuinternational.com/2008/08/new-episodes-ranma-inuyasha/ (accessed January 30, 2010).〕 She has twice won the Shogakukan Manga Award: once in 1980 for ''Urusei Yatsura'', and again in 2002 for ''InuYasha''.
==Career and major works==
She was born in Niigata, Japan.〔Takahashi, Rumiko. ''Ranma ½'' Vol. 1 (May 1993). Viz Communications: San Francisco, CA. ISBN 0-929279-93-X. "Rumiko Takahashi". p. 302.〕 Takahashi showed little interest in manga during her childhood; though she was said to occasionally doodle in the margins of her papers while attending Niigata Chūō High School, Takahashi's interest in manga did not start until later.〔(【引用サイトリンク】 title=Profile: Rumiko Takahashi -The Princess of Manga ) In an interview in 2000, Takahashi said that she had always wanted to become a professional comic author since she was a child.〔"Rumiko Takahashi Interview." ''Viz Media''. March 2, 2000. (2 ). Retrieved on October 2, 2009.〕 During her university years, she enrolled in Gekiga Sonjuku, a manga school founded by Kazuo Koike, manga author of ''Crying Freeman'' and ''Lone Wolf and Cub''. Under his guidance Rumiko Takahashi began to publish her first dōjinshi creations in 1975, such as ''Bye-Bye Road'' and ''Star of Futile Dust''. Koike often urged his students to create well-thought out, interesting characters, and this influence would greatly impact Rumiko Takahashi's works throughout her career.〔
Takahashi's professional career began in 1978. Her first published work was the one-shot ''Katte na Yatsura'', for which she was awarded the Shogakkan New Comics Award. Later that same year, she began her first serialized story ''Urusei Yatsura'', a comedic science fiction story. She had difficulty meeting deadlines to begin with, so chapters were published sporadically until 1980. During the run of the series, she shared a small apartment with two assistants, and often slept in a closet due to a lack of space. During the same year, she published ''Time Warp Trouble'', ''Shake Your Buddha'', and the ''Golden Gods of Poverty'' in ''Shōnen Sunday'' magazine, which would remain the home to most of her major works for the next twenty years.
During 1980, Takahashi started her second major series, ''Maison Ikkoku'', in ''Big Comic Spirits'' magazine. Written for an older audience, ''Maison Ikkoku'' is a romantic comedy, and Takahashi used her own experience living in an apartment to create the series. Takahashi managed to work on ''Maison Ikkoku'' on and off simultaneously with ''Urusei Yatsura''. She concluded both series in 1987, with ''Urusei Yatsura'' ending at 34 volumes, and ''Maison Ikkoku'' being 15.
During the 1980s, Takahashi became a prolific writer of short story manga. Her stories ''The Laughing Target'', ''Maris the Chojo'', and ''Fire Tripper'' all were adapted into original video animations (OVAs). In 1984, during the writing of ''Urusei Yatsura'' and ''Maison Ikkoku'', Takahashi took a different approach to storytelling and began the dark, macabre ''Mermaid Saga''. This series of short segments was published sporadically until 1994, with the final story being ''Mermaid's Mask''.
Another short work of Takahashi's to be published sporadically was ''One-Pound Gospel''. Takahashi concluded the series in 2007 after publishing chapters in 1998, 2001 and 2006.〔(【引用サイトリンク】 title=The Ring & The Rosary )〕 One-Pound Gospel was adapted into a TV drama, which ran for 9 of its originally scheduled 11 episodes.
Later in 1987, Takahashi began her third major series, ''Ranma ½''. Following the late 80s and early 90s trend of shōnen martial arts manga, ''Ranma ½'' features a gender-bending twist. The series continued for nearly a decade until 1996, when it ended at 38 volumes. ''Ranma ½'' is popular amongst manga fans outside Japan.
During the later half of the 1990s, Rumiko Takahashi continued with short stories and her installments of ''Mermaid Saga'' and ''One-Pound Gospel'' until beginning her fourth major work, ''InuYasha''. While ''Ranma ½'', ''Urusei Yatsura'', and ''Maison Ikkoku'' all were heavily seated in the romantic comedy genre, ''InuYasha'' was more akin to her dark ''Mermaid Saga''. The series featured action, romance, horror, fantasy, (folklore-based) historical fiction, and comedy. This series was serialized in ''Shōnen Sunday'' magazine and is her longest work by far, and ended in 2008. On March 5, 2009, Rumiko Takahashi released her one-shot short story ''Unmei No Tori''. On March 16, 2009, Rumiko Takahashi collaborated with Mitsuru Adachi, creator of ''Touch'' and ''Cross Game'', to release a one-shot story called ''My Sweet Sunday''. Her latest manga series, ''Kyōkai no Rinne'' started on April 22, 2009. This is Rumiko Takahashi's first new manga series since the end of her previous manga series ''InuYasha'' in June 2008.
''Urusei Yatsura'', ''Maison Ikkoku'', ''Ranma 1/2'' and ''InuYasha'' manga were all published in English in the United States by Viz Comics; however, Viz's 1989 release of ''Urusei Yatsura'' halted after only a few volumes were translated, and is long out of print.
In February 2014, she was nominated for entry into the Eisner Hall of Fame.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Rumiko Takahashi」の詳細全文を読む



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